Martin Creed - Deep Purple

This exhibit at the Cleveland Museum of Art could be your worst nightmare if you are allergic to latex or claustrophobic. For the rest of us it is a unique and enchanting experience.  The exhibit features 27,000 purple balloons piled 8 feet deep in a room with mostly glass walls.

This installation is the work of British artist and musician Martin Creed. Entitled Half the Air in a Given Space, this concept was first created in 1998 with white balloons and has been reenacted several times since in different colors and configurations.

As the name suggests, half a room's entire volume is filled with air-inflated balloons and then visitors are encouraged to walk through. “It is important to me,” says Creed, “that the situation is normal, that, as usual, the space is full of air; it’s just that half of it [is] inside the balloons.”

Meant to evoke a sense of celebration and remembrance of childhood, the installation is almost guaranteed to leave everyone giggling or with a smile on their face. As you can see here one of the major challenges for exhibit staff is to get people in and out without loosing large quantities of balloons in the process.

Only 10 people were allowed in at a time and you flattened yourself as close to the glass as possible and slid in .

Staff picked up and stuffed stray balloons back in.

Because this is a room with 16 foot ceilings, the balloons were 8 feet deep and once inside you were enveloped in a purple landscape. You heard rather than saw other people in the room unless they were extremely close. For me, initial navigation stayed along the perimeter until the situation grew more familiar and then I braved the depths of room central.

It was a bright sunny day and taking pictures of the view through balloons proved entertaining. A cloudy day would likely yield a different experience.

And I found it hard to resist a little self portraiture in hard reflective surfaces.

If you want to encounter this phenomenon yourself,  get a move on to the Cleveland Museum of Art. The exhibit closes November 25,2012 or you'll have to wait for another incarnation somewhere. 

http://www.youtube.com/watch?v=4vWOIPsO_Rg

The link above takes you to the installation at the Rennie Gallery in Vancouver 2011. Watching it reminds me of the effect the balloons had on my hair. Having relatively straight and slick hair I thought dreadlocks were an impossibility for me. The balloons altered that idea. 

If you watch the video, notice how much these adults are laughing.

Go see this, if you have the opportunity.

And if you are not allergic to latex or claustrophobic.

Carina

It feels like Christmas at Halloween

 There is something quite lovely about a package of goodies arriving in the mailbox. Goodies that other hands have made for you. Even if you know they are coming or maybe, it is especially sweet when you are anxiously awaiting the arrival of the mail carrier.

Here I test my ability to operate a camera shutter with my left hand while slitting the package tape with a paring knife.

I belong to a Yahoo group called Charmsters. It was created by Laurel Stevens in 2007. We are a group of a little over 100 people that make and swap charms through the mail. Jean Brederode and Erin Keck became our group moderators in 2011.

Participants sign up for specific swaps that interest them. This Halloween swap was hosted by Lori Guerin. She sorted the charms that were submitted and shipped them to participants in this snazzy orange bag, fiercely guarded by the skeleton.

Here is my loot all spread out. Next I'll show you the charms one by one and tell you who made them.

 A dark stained clay pumpkin with a green glass leaf bead by Kimberly McIntosh

  Glass candy corn charm by Marjorie Grace Sayers

 A bag of assorted goodies and a small vial of stardust from Rena Azevedo Kiehn

 More goodie loot and a bead embellished skull by Anne Savage

 Dark chocolate and caramel square and a spooky, crackled eyeball by our host Lori Guerin

 Black cat in a Deschutes Brewery bottle cap by Eunice Oakley

 Shrinky Dink ghost with dangling  bead eyes by your truly

 Kooky bead embellished skull charm by Zhulia Abrock

 Glitter face in a bottle cap charm by Linda Bucci

 Fluffy black fiber embellished skeleton skull charm by Susan Zacher

 Fused glass gem and Shrinky Dink crow by Carol Ingram Moore

 Enameled candy corn by Susan Berry

 Clay licorice candy and bone skull duo by Amy Huff

Skull and stiffened baler twine scarecrow by Jo Morrison

As you can see we all put our own spin on these charms. Packaging and presentation are often almost as interesting as the charms themselves. Next step is to get these lovelies onto some necklace chain before the holiday overtakes me.

Have a spooktacular Halloween.

Carina

P.S. Charmsters - If I made any errors in spelling your name or describing your charm, leave a comment and editing will occur as rapidly as possible.

Unexpected Beauty - Exit 17 Interstate 26 - North Carolina

Of all the places my travels take me, North Carolina's Department of Transportation seems to have the most successful wildflower program. The principal source of revenue is the sale of personalized license plates. A portion of the extra fee supports wildflower planting and highway beautification. Some folks also make direct contributions, 100% of which goes to the program.

This fall day, the sunflowers are making a glorious and cheery visual statement, but I have seen some lovely plantings of corn poppies and gaillardia in other seasons.

With faces or flower heads  that turn through the day to follow the path of the sun, sunflowers symbolize adoration.

Different sources on the language of flowers say that sunflowers represent loyalty and longevity...

or pure and lofty thoughts.

You get to pick your favorite interpretation.

This spot at exit 17 on Interstate 26 near Weaverville, North Carolina is an easy pull-off and it is just as easy to get back on, so stop and have a look if you pass on by.

,

It is a lovely autumn - enjoy it before the snow flies.

Carina

Button, button...she's got the buttons!

While not yet in need of a 12-step program, I do have a certain fondness for buttons, old, previously-used buttons in particular. Turns out my friend Cherie St. Cyr shares my predilection for vintage buttons.

My last visit with Cherie occurred this past February, while she was in the winter apartment she owns in San Miguel de Allende, Mexico. This time we met up in Madison, Wisconsin, where she spends the rest of her year. Cherie is a textile artist currently focusing on art quilts, a massage therapist and tarot card reader.

Find out more here at her web site:

http://www.cheriestcyr.net/blog/

Beyond just chatting, I admit to an ulterior motive; I needed a tutorial on free motion sewing, with a hands on demonstration preferred. Her skillful instruction helped me generate this sunflower and cat thread sketch on a white fabric and batting sandwich.

 

The buttons in Cherie's basement studio are sorted into a variety of glass jars by color family.

In the past, she has revealed a particular fondness for red buttons, which may explain why they occupy the fanciest jar on the shelf.

If you have a button stash, the next time you look through it, check out how few of the buttons are green. Yellows are also less common, found more often an women's blouses and dresses.It must have taken a while to gather all these.

Blue buttons are found on both men's and women's garments and are a little easier to obtain.

These larger white carved buttons likely adorned a light colored sundress many decades ago, the plainer buttons something a bit more utilitarian. 

Button collections are a relic of a different era. Our grandmothers and sometimes mothers stockpiled such accumulations. Often stored in fancy tin, they amused many a child or grandchild in the sewing room. Button containers and jars belong to an era when clothing was repaired and when the garment was finally worn out, the buttons were cut off to be used to repair a different garment.

While sorting my own buttons by color will wait for another day, I thought Cherie has found a fabulous way to display these little treasures.

Carina

Jennifer Street - Madison, Wisconsin - August 2012

Bohemian...Hippie....Green

These are adjectives easily applied to Jennifer Street. Jenny Street runs parallel to and one block over from the busier Williamson Street in the Marquette neighborhood in Madison, Wisconsin. This neighborhood is one of Madison's oldest with a plethora of architectural styles, including Greek Revival, Italianate and Arts & Crafts bungalows. 

During my recent trip to Wisconsin, I inhabited this vicinity while staying at my sister-in-law's house between Willy and Jenny Streets. While strolling on Jenny Street, I photographed these two yards, about a block apart.

Obviously not available at the big box stores, these yard art dogs have none too shiny, gravel teeth...

 ...and sport dark sunglasses.

Serious party animals, these two.

 I'm willing to bet they howl just fine when the moon is full.

 You may have seen painted bowling balls utilized as yard art before, but these demonstrate the power of quantity and repetition.

The pink zinnias set off the blue bowling balls, offering a pleasing counterpoint.

The lady of the house was sitting on the screened in porch and she came out to chat.

One of her favorite features in the yard are the moon flowers shown here in bud. She grew them from seed.

Stay tuned for more trip photos.

Carina

Drunken Worms

 I've been in the kitchen channeling Alton Brown, a frat brother and my own inner child. As is often the case,  Facebook played a part, reeling me in hook, line and sinker. One of the "friends" linked a photo and recipe for Jello worms, maybe from Pinterest. She vowed to make these worms the next time the grandchildren visited.

Intrigued? You bet I was, but an adult version of this concoction was in order.

Here is my kitchen work and wisdom, should you feel the need to follow my example.

 

First gather your supplies. Bendy straws are required.The unflexed bendy part gives your finished worms that distinctive earthworm bit of anatomy called the clitellum. I suggest looking for wide straws, they unmold a little easier.

You will want a container that holds the straws snugly. A tall, narrow glass is used here. A washed, used orange juice carton holds more straws and works well too.

The recipe:
You will need

The bigger box of raspberry jello

Peach scnapps

Heavy or whip cream 

Peach nectar (found this in the Mexican food aisle of the grocery store)

Knox unflavored gelatin

green food cloring

boiling water

Put it together like this:

1. Start 1 and 1/2 cups of water boiling

2. Sprinkle 1 package gelatin over 1/2 cup peach nectar poured into a nonreactive bowl.

3. Add boiling water, jello powder. Stir until everything is dissolved.

4. Add 3/4 cup cream, stir.

5. Add 1 cup peach schnapps.

6. Add green food coloring to get your desired reddish-brown, wormy coloring

7. Pour into straws, leaving a little room at the top.

Leave a little empty space at the top of your straws. Chill in the refrigerator until set, generally several hours. To unmold, allow the worms to warm a little at room temperature. Grasp the unfilled end between thumb and forefinger. Place the other thumb and forefinger next to the first, with a traveling pinch push the jello worm out the open end, onto some wax paper. After a few tries, you will get the hang of this maneuver and develop your own rhythm.

Put the lovely, unmolded worms back in the fridge to firm up a little, perhaps after tasting a few to check flavor.

Worms could probably be made with any red jello and the alcohol flavor is up for further experimentation.

For extra versatility your worms can also be used to decorate desserts. They are rather tasty.

 

Enjoy in moderation.

Carina